French Theatre
A.Y. 2025/2026
Learning objectives
Aimed at students from all Humanities disciplines, the course aims to provide a good knowledge and appreciation of theatre, dramatic literature and scenography from an interdisciplinary perspective. It will draw on the tools of cultural studies and the sciences of theatre and performance. The focus will be on significant examples of dramaturgy, aesthetics and theatrical practice in modern and contemporary French theatre. However, the historical-evolutionary perspective will also be part of the student's training, with a view to developing an awareness of the developments and controversial criticisms that have marked the history of French theatre.
Expected learning outcomes
The expected learning outcomes are: Knowledge and understanding of the history, sources, methods and tools of theatre studies and the practices of dramaturgy, performance and directing, with particular reference to the French tradition. Knowledge of some of the main figures, dramaturgies and theatrical practices of modern and contemporary development, of their historical-political, cultural and aesthetic contexts, of stage practice, of transfer between languages and between languages. Understanding of the theoretical, methodological and historical-cultural problems involved in the study of French theatre, including its intermedial and intercultural dissemination. Ability to analyse and interpret the dramatic text and staging; ability to discuss and argue in a seminar context; ability to apply the skills acquired to produce a critical (written or oral) individual or group work of adequate methodological rigour (exposé).
Lesson period: Second semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course can be attended as a single course.
Course syllabus and organization
Single session
Responsible
Lesson period
Second semester
Course syllabus
FURTHER INFORMATION WILL BE PROVIDED IN GOOD TIME BEFORE THE START OF THE COURSE (SECOND SEMESTER).
Prerequisites for admission
No prerequisites specifically required. However, it would be good for students to possess a general background in French literary history and a level of French to be able to read the texts in the original language, although, in the classroom, translation by the teacher will always be provided. Students who are not following a course in an area related to Foreign Languages (with French among the languages of specialization) will be allowed to read the texts in Italian translation.
Teaching methods
Reading and analysis of the plays scheduled in class, always starting from the original language text. Viewing and analysis of videos related (where available) to their eventual staging. Possibly, brief "exposés" by students on aspects of the plays on the syllabus.
Teaching Resources
PRIMARY AND SECONDARY BIBLIOGRAPHY WILL BE PROVIDED IN GOOD TIME, BEFORE THE START OF THE COURSE (SECOND SEMESTER).
Assessment methods and Criteria
The exam will take the form of an oral interview, in either Italian or French at the candidate's choice. The student will have to, starting from the texts of the works in the program, demonstrate a global understanding of the text, elements related to staging and its hermeneutic scope. He/she should, in addition, be familiar with the broad outlines of twentieth-century French theater as well as the methodologies of the analysis of theatrical text illustrated during the course.
Professor(s)
Reception:
After the end of lessons: may 26th,15 -16.30; 4th june, 9.30 - 11.30; 13th june, 15.30 -17; 17th june,, 10 - 12; 2nd july, 15.30 - 17.
Department of Foreing languages,literatures, cultures and mediations; 1, S. Alessandro Square, Milan