Postcolonial Anglophone Cultures I
A.Y. 2026/2027
Learning objectives
The course draws on the tools of Cultural and Postcolonial Studies to provide an analysis of cultural production and expressive practices in Anglophone countries, particularly popular creative forms and narratives. Specifically, the course will focus on imperial legacy and the cultures of the Commonwealth, exploring the artistic and cultural expressions of former British colonies and protectorates. It will also retrace the formation and reshaping of local identities during the transition from the empire to the construction of nation-states, and the way this process affected the various fields of artistic production. At a methodological level, the course will focus on the study of inclusive and plural mechanisms and narratives, to shed light on the instances that, in colonised countries, sparked an identity-reshaping process affecting various aspects of culture and language. The goal is to foster an advanced understanding and critical awareness of the mechanisms at work in the British Commonwealth and the former colonies, and to provide students with adequate methodological tools to interact effectively in English within inclusive and diversity-valuing environments.
Learning objectives include:
- advanced knowledge and critical understanding of a variety of Anglophone cultural practices, textual and artistic products (both spontaneous and codified) on diversity-related topics and the connected processes of cultural hybridisation;
- fruitful application of the tools of Cultural and Postcolonial Studies to the context of contemporary Anglophone countries, along with the ability to trace the historical developments that contributed to shaping current issues related to the topics covered during the course;
- the ability to apply the knowledge acquired during Bachelor's studies (regarding the notions of otherness, decolonisation, immigration, diaspora, and the contemporary age) to investigate concepts such as race, ethnicity, multiculturalism, cosmopolitanism, power, ideology, hegemony, discursive practices and consensus-building;
- the ability to critically analyse communication models across various media under the lens of identity, inclusivity and diversity, combined with the ability to identify good and bad practices in the contemporary context, supported by reasoned evaluations;
- the ability to research, select, summarise and compare relevant information, and to debate in the classroom/in groups on the texts and topics studied;
- the ability to formulate independent and critically reasoned judgements on a variety of cultural products and literary texts;
- the ability to compare and draw correlations between different contexts related to class, ethnicity, gender and the like, with a view to developing a pragmatic and authentic awareness of what it means to respect and include diverse identities.
Learning objectives include:
- advanced knowledge and critical understanding of a variety of Anglophone cultural practices, textual and artistic products (both spontaneous and codified) on diversity-related topics and the connected processes of cultural hybridisation;
- fruitful application of the tools of Cultural and Postcolonial Studies to the context of contemporary Anglophone countries, along with the ability to trace the historical developments that contributed to shaping current issues related to the topics covered during the course;
- the ability to apply the knowledge acquired during Bachelor's studies (regarding the notions of otherness, decolonisation, immigration, diaspora, and the contemporary age) to investigate concepts such as race, ethnicity, multiculturalism, cosmopolitanism, power, ideology, hegemony, discursive practices and consensus-building;
- the ability to critically analyse communication models across various media under the lens of identity, inclusivity and diversity, combined with the ability to identify good and bad practices in the contemporary context, supported by reasoned evaluations;
- the ability to research, select, summarise and compare relevant information, and to debate in the classroom/in groups on the texts and topics studied;
- the ability to formulate independent and critically reasoned judgements on a variety of cultural products and literary texts;
- the ability to compare and draw correlations between different contexts related to class, ethnicity, gender and the like, with a view to developing a pragmatic and authentic awareness of what it means to respect and include diverse identities.
Expected learning outcomes
This course will guide students in investigating the concept of identity in relation to contemporary post- and neo-colonial English-speaking cultures, as well as to the multiple influences, ideologies, religions and cultural practices which have developed over time during the decolonisation process and the formation of nation-states. This is in line with the goal of the Master's degree programme as a whole, which is to enhance the linguistic and cultural mediation skills acquired by students during the previous three-year programme. Students are also expected to learn how to identify the most suitable critical categories and methods of Cultural and Postcolonial Studies to analyse the proposed cultural products. By the end of the course, students should possess not only adequate language skills, but also an array of methodological tools allowing them to critically select, organise and interpret various types of contemporary textual productions, including media, performative, musical, and literary texts. Moreover, they should also be able to identify the constituent parts of a text, in order to deconstruct it and learn to reproduce similar structures. Teamwork will be an integral part of the course, so students are expected to learn to organise their work and collaborate in English.
Lesson period: Second semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course can be attended as a single course.
Course syllabus and organization
Single session
Responsible
Lesson period
Second semester
Course syllabus
TITLE: Stories about/of the Other
The British Empire has produced consequences not only in British culture, but also in the ways in which colonized cultures have been perceived and represented. These cultures were often portrayed not as they actually were, but through partial, incomplete, manipulated, and reconstructed representations shaped by the Western gaze. Only more recently has the Other begun to speak in its own voice and to construct alternative forms of self-representation. Drawing on the methodology of Cultural Studies, the course will explore the meaning and implications of key concepts such as representation, culture, imperialism, translation, emergence, hierarchy, and power. Building on the theoretical contributions of Edward Said, Stuart Hall, Giorgio Agamben, Walter Mignolo, and others, we will examine the political manipulation of representation and explore the conceptual and analytical tools needed to understand the cultures that emerge and evolve around processes of migration.
UNIT 1 - The Power of Stories (20 HRS)
Key topics:
- Relationship between fact and fiction, with a focus on identifying the mechanisms through which the "foreigner" is constructed, manipulated, and represented.
- Analysis of the transformations and narrative strategies underlying such representations, from nineteenth-century accounts to contemporary social media.
UNIT 2 - Black Shapes (20 HRS)
Key topics:
· The representation of "natives" in the late nineteenth century: a case study.
· Reinterpretations and adaptations of the case study across different media, including film, television, comics, theatre, advertising, and political discourse.
· Contextualizing representations through historical and geographical data.
UNIT 3 - When we are the Other (20 HRS; PROF. CAPONI)
Key topics:
- The re-focusing of the perspective on the migrants: when the protagonists are Italians and the context is also the Mediterranean
- The specific relevance of the dramatic genre when applied to the main topics of the course
The British Empire has produced consequences not only in British culture, but also in the ways in which colonized cultures have been perceived and represented. These cultures were often portrayed not as they actually were, but through partial, incomplete, manipulated, and reconstructed representations shaped by the Western gaze. Only more recently has the Other begun to speak in its own voice and to construct alternative forms of self-representation. Drawing on the methodology of Cultural Studies, the course will explore the meaning and implications of key concepts such as representation, culture, imperialism, translation, emergence, hierarchy, and power. Building on the theoretical contributions of Edward Said, Stuart Hall, Giorgio Agamben, Walter Mignolo, and others, we will examine the political manipulation of representation and explore the conceptual and analytical tools needed to understand the cultures that emerge and evolve around processes of migration.
UNIT 1 - The Power of Stories (20 HRS)
Key topics:
- Relationship between fact and fiction, with a focus on identifying the mechanisms through which the "foreigner" is constructed, manipulated, and represented.
- Analysis of the transformations and narrative strategies underlying such representations, from nineteenth-century accounts to contemporary social media.
UNIT 2 - Black Shapes (20 HRS)
Key topics:
· The representation of "natives" in the late nineteenth century: a case study.
· Reinterpretations and adaptations of the case study across different media, including film, television, comics, theatre, advertising, and political discourse.
· Contextualizing representations through historical and geographical data.
UNIT 3 - When we are the Other (20 HRS; PROF. CAPONI)
Key topics:
- The re-focusing of the perspective on the migrants: when the protagonists are Italians and the context is also the Mediterranean
- The specific relevance of the dramatic genre when applied to the main topics of the course
Prerequisites for admission
Ss must have some familiarity with the core concept of English and Anglophone Cultural Studies or related research field (sociology, anthropology and the like). Adequate fluency in English is required. A working knowledge of Italian is very welcome.
Teaching methods
Classes will be built on a collaborative method, occasionally involving guest-speakers. Ss are supposed to develop team-working abilities as to train them for the professional profile they are expected to acquire. Through close reading, writing, and class discussion, students will work on issues such as colonialism and postcolonialism, migration, identity, power, location and relocation, belonging. They are also required to share the output of their teamwork with classmates. They are to participate actively through the proposed in-class team activities (presentations, case-studies, discussions of particular topics, flipped classroom activities).
Teaching Resources
UNT 1 - The Power of Stories (20 hours)
Case Studies
(All materials in this section will be uploaded to the course website.)
· Art Spiegelman, Maus (1986)
· Emily Jacir, Memorial to 418 Palestinian Villages Which Were Destroyed, Depopulated, and Occupied by Israel in 1948 (2001)
· Emily Jacir, A Mediterranean Via Crucis (installation, 2016)
· Mohamed Moussa, My Death Is Not a Song? (2025; poem published on Substack - Gaza Poets Society)
· Selected newspaper articles, social media posts, and political speeches from Italian, British, and other English-speaking contexts.
Tools and methods
Bertacco, Simona, & Nicoletta Vallorani, The relocation of culture. Literatures, cultures, translation. New York: Bloomsbury Academic, 2021. (selection of passages from Introduction & ch. 3)
Newitz, Annelee, Stories are weapons (2024; selection of passages)
Vallorani, Nicoletta, "Travelling Muses: Women, Ancient Grammars and Contemporary ARTivism in Refugees' Tales," Lingue e linguaggi, 64, 2024, 15-30.
NON-ATTENDING STUDENTS
· All texts included in the syllabus for attending students.
· Vallorani, N. (ed.), Introduzione ai Cultural Studies (selected chapters available online).
UNIT 2 - Black Shapes
Case Studies
(All excerpts will be specified and uploaded to the course website.)
· J. Conrad, Heart of Darkness (novel, 1899-1903)
· Heart of Darkness (film, N. Roeg, 1993)
· Apocalypse Now (film, F. F. Coppola, 1979)
· Peter Kuper, Joseph Conrad's Heart of Darkness (2019)
· Video produced for the English 112 project, presenting Joseph Conrad's novella Heart of Darkness to the class: https://www.youtube.com/watch?v=GQLUS2WrnoE
· Excerpts from various political speeches
Tools and Methods
· British Empire, Encyclopaedia Britannica: https://www.britannica.com/place/British-Empire
NON-ATTENDING STUDENTS
· All texts included in the syllabus for attending students.
· Complete reading and analysis of J. Conrad's Heart of Darkness, including a study of the author's biography and the historical context.
UNIT 3 - When we are the Other
Case studies:
Arthur Miller, A View from the Bridge (1956)
Anders Lustgarten, Lampedusa (2015)
The texts can be read in any edition, provided it is in English and unabridged. Also included in the materials for the exam are the radio and cinematic versions of the texts listed. They will be made available by the teacher during the course.
Tools and Methods:
Vallorani, N. (a cura di), Introduzione ai Cultural Studies (Selezione di capitoli caricati sul web).
Case Studies
(All materials in this section will be uploaded to the course website.)
· Art Spiegelman, Maus (1986)
· Emily Jacir, Memorial to 418 Palestinian Villages Which Were Destroyed, Depopulated, and Occupied by Israel in 1948 (2001)
· Emily Jacir, A Mediterranean Via Crucis (installation, 2016)
· Mohamed Moussa, My Death Is Not a Song? (2025; poem published on Substack - Gaza Poets Society)
· Selected newspaper articles, social media posts, and political speeches from Italian, British, and other English-speaking contexts.
Tools and methods
Bertacco, Simona, & Nicoletta Vallorani, The relocation of culture. Literatures, cultures, translation. New York: Bloomsbury Academic, 2021. (selection of passages from Introduction & ch. 3)
Newitz, Annelee, Stories are weapons (2024; selection of passages)
Vallorani, Nicoletta, "Travelling Muses: Women, Ancient Grammars and Contemporary ARTivism in Refugees' Tales," Lingue e linguaggi, 64, 2024, 15-30.
NON-ATTENDING STUDENTS
· All texts included in the syllabus for attending students.
· Vallorani, N. (ed.), Introduzione ai Cultural Studies (selected chapters available online).
UNIT 2 - Black Shapes
Case Studies
(All excerpts will be specified and uploaded to the course website.)
· J. Conrad, Heart of Darkness (novel, 1899-1903)
· Heart of Darkness (film, N. Roeg, 1993)
· Apocalypse Now (film, F. F. Coppola, 1979)
· Peter Kuper, Joseph Conrad's Heart of Darkness (2019)
· Video produced for the English 112 project, presenting Joseph Conrad's novella Heart of Darkness to the class: https://www.youtube.com/watch?v=GQLUS2WrnoE
· Excerpts from various political speeches
Tools and Methods
· British Empire, Encyclopaedia Britannica: https://www.britannica.com/place/British-Empire
NON-ATTENDING STUDENTS
· All texts included in the syllabus for attending students.
· Complete reading and analysis of J. Conrad's Heart of Darkness, including a study of the author's biography and the historical context.
UNIT 3 - When we are the Other
Case studies:
Arthur Miller, A View from the Bridge (1956)
Anders Lustgarten, Lampedusa (2015)
The texts can be read in any edition, provided it is in English and unabridged. Also included in the materials for the exam are the radio and cinematic versions of the texts listed. They will be made available by the teacher during the course.
Tools and Methods:
Vallorani, N. (a cura di), Introduzione ai Cultural Studies (Selezione di capitoli caricati sul web).
Assessment methods and Criteria
Assessment is exam-based. The course has a modular structure and there is a test for each element of the course. Midterm exams are however optional and address mostly attending students.
Unit 1: Written test consisting of multiple-choice and open-ended questions. Duration: 1 hour and 30 minutes. The assessment will be graded on a scale of 0 to 30.
Unit 2: Individual oral presentation on an agreed-upon topic (flipped classroom). Duration: 20 minutes. The assessment will be graded on a scale of 0 to 30.
Unit 3: traditional oral exam. The assessment will be graded on a scale of 0 to 30.
All assessments will be graded on a scale of 30. Students who successfully complete all three assessments will receive a proposed final grade, which will be formally recorded at the examination.
The format and requirements of the assessments may be subject to change depending on the number of students enrolled in the course.
Whoever chooses, can sit for the oral exam and be interviewed on the whole of the syllabus. The exam is to be taken in English.
Unit 1: Written test consisting of multiple-choice and open-ended questions. Duration: 1 hour and 30 minutes. The assessment will be graded on a scale of 0 to 30.
Unit 2: Individual oral presentation on an agreed-upon topic (flipped classroom). Duration: 20 minutes. The assessment will be graded on a scale of 0 to 30.
Unit 3: traditional oral exam. The assessment will be graded on a scale of 0 to 30.
All assessments will be graded on a scale of 30. Students who successfully complete all three assessments will receive a proposed final grade, which will be formally recorded at the examination.
The format and requirements of the assessments may be subject to change depending on the number of students enrolled in the course.
Whoever chooses, can sit for the oral exam and be interviewed on the whole of the syllabus. The exam is to be taken in English.
ANGL-01/A - English Literature - University credits: 9
Lessons: 60 hours
Professors:
Caponi Paolo, Vallorani Nicoletta
Professor(s)