Methods and Technologies of Music Publishing
A.Y. 2019/2020
Learning objectives
The aim of the course is to introduce the main methodological and historical elements of music publishing, framing them into the historical background and analyzing them from both the theoretical and applicative viewpoints.
Expected learning outcomes
At the end of the course, the student will know the historical and technical aspects related to music notation and writing, as well as those related to music printing, publishing, and philology.
Lesson period: First semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course cannot be attended as a single course. Please check our list of single courses to find the ones available for enrolment.
Course syllabus and organization
Single session
Lesson period
First semester
Course syllabus
The aim of the course is to introduce to the main methodological and technological aspects of music publishing, which will be contextualized historically and examined from both a theoretical and an applied perspective.
Prerequisites for admission
None
Teaching methods
Lectures
Teaching Resources
Metodologie e Tecniche per l'Editoria Musicale, a cura di Fabio Mancini, dispensa, Milano 2004/17
La critica del testo musicale, a cura di Maria Caraci Vela, Lucca, LIM, 1995:
- Introduzione: par. 9 L'edizione dei testi musicali, pp. 20-24
- Georg von Dadelsen, La 'versione d'ultima mano' in musica, pp. 47-61;
- Georg Feder - Hubert Unverricht, Urtext ed edizione Urtext, pp. 75-96;
- Eva Badura-Skoda, Problemi testuali nei capolavori del XVIII e del XIX secolo, pp. 181-198.
- Maria Caraci Vela - Andrea Massimo Grassi, Glossario, pp. 379-394.
Marina Toffetti, Filologia in Pillole, articoli in Hortus Musicus nn. 3-12, Bologna, UT Orpheus edizioni, 2000-2002
Bianca Maria Antolini, L'editoria musicale in Italia tra gli ultimi decenni del settecento e i primi del Novecento, in Dizionario degli Editori Musicali Italiani 1750-1930, Pisa, ETS, 2000, pp. 7-32.
La critica del testo musicale, a cura di Maria Caraci Vela, Lucca, LIM, 1995:
- Introduzione: par. 9 L'edizione dei testi musicali, pp. 20-24
- Georg von Dadelsen, La 'versione d'ultima mano' in musica, pp. 47-61;
- Georg Feder - Hubert Unverricht, Urtext ed edizione Urtext, pp. 75-96;
- Eva Badura-Skoda, Problemi testuali nei capolavori del XVIII e del XIX secolo, pp. 181-198.
- Maria Caraci Vela - Andrea Massimo Grassi, Glossario, pp. 379-394.
Marina Toffetti, Filologia in Pillole, articoli in Hortus Musicus nn. 3-12, Bologna, UT Orpheus edizioni, 2000-2002
Bianca Maria Antolini, L'editoria musicale in Italia tra gli ultimi decenni del settecento e i primi del Novecento, in Dizionario degli Editori Musicali Italiani 1750-1930, Pisa, ETS, 2000, pp. 7-32.
Assessment methods and Criteria
The exam consists of a written test aimed at verifying the knowledge acquired during the course. Evaluation in thirtieths.
SPS/08 - SOCIOLOGY OF CULTURE AND COMMUNICATION - University credits: 6
Lessons: 48 hours
Professor:
Mancini Fabio
Shifts:
-
Professor:
Mancini Fabio