The workshop aims to address working methods and problems posed by critical editions of musical texts in the light of textual criticism and modern editing techniques. It consists of a series of practical exercises, using examples taken from original sources from the XVIII and XIX centuries, and aimed at solving specific problems of a critical edition. At the same time, the workshop aims to be a training ground for comparing working methods, current editorial solutions and the results of philology applied to musical texts.
Prerequisites for admission
The workshop is addressed to students with a good knowledge of musical language, as well as a good knowledge of musical grammar and notation. A basic knowledge in the field of music philology is also required.
Scores, ancient printed and manuscript musical sources, monumental critical editions currently ongoing, editorial guidelines of the main critical editions series.