English Culture Ii

A.Y. 2023/2024
6
Max ECTS
40
Overall hours
SSD
L-LIN/10
Language
English
Learning objectives
Focusing on the literary and non-literary works, films, discourses, art forms and cultural practices which contribute to inform the current British debate on national, social and cultural identity against the backdrop of the country's imperial past, and with a view to redefine the United Kingdom's role in Europe and globally, this course aims to enhance the students' critical knowledge and understanding of these themes, as well as of the enduring influence and attraction of British institutions, literature and culture on our current experience of contemporaneity.
These aims are pursued through the methodological and critical tools of cultural studies, which, in tune with the avowed educational and vocational objectives of our Master Degree Course, privilege multicultural and interdisciplinary exchanges and perspectives. These approaches are particularly rewarding in order to contextualize British cultural phenomena against the backdrop of a rich web of relations among culture(s), beliefs, literatures, genres, social and discursive practices and paradigms, and the production and consumption of cultural products. By fostering active participation from the students, the course aims to enhance their critical analytic skills, their ability to make independent judgements and organize their own work and study projects, and encourages an advanced ability to recognize differences and make thoughtful connections among divergent forms, genres, practices and identities, in line with the overall mission of Lingue e Culture per la Comunicazione e la Cooperazione Internazionale.

Objectives include:
Knowledge and understanding - Students will gain knowledge and critical understanding of a range of cultural practices, productions (visual art, films, writing, performances), and literary genres and texts in English, relevant to the main themes of the course, which they will approach through the lens of selected Cultural Studies practices and theories, applied to the current British context. Knowledge and understanding of the historical, political and social background, as well as of essential cultural paradigms, will be important elements of the programme. These include, but are not limited to: definitions and re-definitions of British national identity against the new multicultural and multi-ethnic social reality; Englishness, Britishness, exclusion and inclusion; London as urban space, and as literary and film imaginary; borders, immigration, diaspora and their representation in the British public sphere and in British literature, film, art, and music. Other themes, connected to specific courses, may include notions such as: empire, post-empire, Commonwealth, post-colonialism, and the relations with the former colonies; identity, alterity, difference, hybridity; "race", ethnicity, multiculturalism, and cosmopolitanism; the discourses and practices of dissent and resistance; power, ideology, hegemony and the ways they are reflected in British culture; politics, practices and representations of the body; alterity, speculative genres, science fiction.
Applying knowledge and understanding - Students will have the opportunity to apply their acquired knowledge and understanding to in-depth close reading and critical analysis of cultural productions and literary texts; to improving their ability to retrieve, select, synthesise, compare, evaluate and organize relevant information and materials; to debating and discussing relevant texts and issues in the class and in groups and producing oral and written work in English, and PowerPoint presentations, consistent with the topics of the course.
Making judgements - Students will acquire the following skills relevant to making informed and autonomous judgements: by acquiring and developing comprehensive analytical and critical attitudes towards a diversity of cultural productions and literary texts, they will be better equipped to embrace and transfer intercultural and plural perspectives of analysis. The ability to draw comparisons and establish connections between the various contexts under scrutiny, and the habit to experiment with a diversity of approaches to selected issues consistent with the course will also be major assets in developing judgements skills.
Communication skills - The course will enable students to enhance their ability to use English to discuss selected topics, present their own work to an audience of peers and engage the audience in fruitful debates, use IT technology to support both academic study, research and networking.
Expected learning outcomes
Acquired knowledge and skills will match the multicultural mission and learning objectives of the Master Degree Course by allowing students to select, contextualise, critically analyse, evaluate and discuss the thematic threads, the cultural practices, discourses, literary, visual and artistic productions of contemporary Britain showing an awareness of their historical, political, social and cultural backgrounds. The acquisition of these skills will be fostered by encouraging the students to engage in active participation and dialogue and by enabling them to draw comparisons and unravel the connections between the British context and their own culture and experiences, according to a cross-cultural perspective which, in line with the overall objectives of Lingue e Culture per la Comunicazione e la Cooperazione Internazionale, will enhance their ability to compare different histories, ideologies, claims, cultural practices, and the way they offer thoughtful responses to central issues of the present. Through active participation and independent work, students will develop linguistic and argumentative skills which will help them undertake further study with a higher degree of intellectual curiosity, autonomy, and ability to discriminate, transfer the acquired skills to related fields of analysis and apply multiple methodologies and a consistent intercultural approach to their dissertation and post-graduate research.
Single course

This course can be attended as a single course.

Course syllabus and organization

Single session

Responsible
Lesson period
Second semester
Course syllabus
TITLE Powerful &/but wicked - Representing women between monstrification and empowerment

The course investigates the discursive construction of powerful women through language and cultural representation drawing connections between the Renaissance and contemporary popular culture in the UK. More specifically, we will focus on the ways in which the body occupies a critical position in such discourses, as it is monstrified and vilified in the attempt to control and limit female agency, but at the same time it can also turn into a site of struggle and a point of departure to develop new forms of embodiment and empowerment through its (re)appropriation.

UNIT 1 focuses on Elizabethan England and on the (self-)representation of powerful women starting with the rhetorical and discursive analysis of the speech Queen Elizabeth I delivered to her troops at Tilbury (1588) and, more generally, by looking at the significance of the cult built around her image in the Renaissance and in its wake. We will then read some excerpts from the contemporary play Swive by Ella Hickson (2019) to appreciate how Elizabeth I has become a powerful emblem to explore the struggles of women in power across time. Finally, we will turn to one of Shakespeare's masterpieces, Macbeth, to see how power is portrayed - linguistically as well as symbolically - in the female characters.

UNIT 2 takes the cue from the characterisation of Macbeth's witches to scrutinize the figure of the witch more closely. Starting from some critical readings, especially Silvia Federici's Witches, Witch-Hunting, and Women (2018), to put in context XVI and XVII Century witch-hunts and link it to contemporary practices, we will examine the proliferation of meanings attached to the witch as a signifier for female power, transgression and otherness in popular narratives, turning especially to its development from stigmatisation to resistance and re-semantization. In particular, after analysing some instances in which contemporary (female) politicians are disparagingly portrayed as witches in social and news media, we will consider some contemporary novels that have been labelled "witch lit" to see how the witch has been reclaimed as a metaphor of rebellion and emancipation in literature.
Prerequisites for admission
Students are expected to be fluent in English. They must be able to read and understand complex texts in English and they must prove able to express their own critical position on the suggested issues, also showing to be aware of the characteristics of the methods of Cultural Studies: in case they are not, the students are invited to ask the professor for additional readings. Before sitting for the exam of English Culture II, students must have taken the exam of English Culture I.
Teaching methods
The course is mainly delivered through lectures, but it may also include conferences and seminars held by guest speakers. Students are welcome and encouraged to take active part in the lectures, and to work in pairs and groups to further research any text/topic/material of the course and share the results with the class. Attendance is not compulsory but highly recommended.
Teaching material and optional readings will be provided through, and communications will be posted to, the ARIEL platform of the course (so please make sure that you regularly check it).
Teaching Resources
UNIT 1

PRIMARY TEXTS
- Queen Elizabeth I's Speech to the Troops at Tilbury, 1588 (the full-text will be uploaded to Ariel, as different versions are available)
- Ella Hickson, Swive [Elizabeth], Nick Hern Books, 2019 (play).
NB Students are encouraged to watch the play "I corpi di Elizabeth", from 17th January to 11th February 2023 at Teatro Elfo Puccini (https://www.elfo.org/spettacoli/2023-2024/i-corpi-di-elizabeth.htm)
- William Shakespeare, Macbeth. Analysis of a selection of scene (any edition; suggested edition with Italian translation: Feltrinelli - edited and translated by Agostino Lombardo)

FIMLOGRAPHY (some clips from the films will be shown and discusses in class):
- The Tragedy of Macbeth (Roman Polański, 1971)
- Macbeth (Rupert Goold, 2010)
- Macbeth (Justin Kurzel, 2015)
- The Tragedy of Macbeth (Joel Coen, 2021)

CRITICAL TEXTS (OPTIONAL READINGS)
- To learn more about the life of Quenn Elizabeth I and about the socio-political and historical context of her reign, you may read: Carole levin, The Reign and Life of Queen Elizabeth I. Politics, Culture and Society, Palgrave MacMillan, 2022.
- Other articles and critical readings to further investigate the topics, perspectives and materials analysed in the course will be uploaded to Ariel.

UNIT 2
CRITICAL TEXTS
- Silvia Federici, Witches, Witch-Hunting, and Women, PM Press, 2018.
- Adriene Rich, "Notes toward a politics of location" (1984) (available here https://openspaceofdemocracy.files.wordpress.com/2017/01/adrienne-rich-notes-toward-a-politics-of-location.pdf)
OPTIONAL TEXTS
- Curti, Lidia, La voce dell'altra, scritture ibride tra femminismo e postcoloniale, Meltemi 2018, especially Chapter 1 and Chapter 3.
- Other articles and critical readings to further investigate the topics, perspectives and materials analysed in the course will be uploaded to Ariel.

PRIMARY TEXTS (some excerpts from the following novels will be analysed in class, but you will have to read and study in full only one novel of your choice among)
- Jeanette Winterson, The Daylight Gate, 2012.
- Jenni Fagan, Hex, 2022.
- Kirsty Logan, Now She Is Witch, 2023.
- Emilia Hart, Wayward, 2023.

READING LIST TO APPROACH CULTURAL STUDIES AND THEIR METHODS (OPTIONAL)
- Nicoletta Vallorani (ed.), Introduzione ai cultural studies: UK, USA e paesi anglofoni, Carocci, 2016.
- Stuart Hall, Representation: Cultural Representations and Signifying Practices (any edition)
- Ziauddin Sardar, Introducing Cultural Studies: A Graphic Guide (Icon Books ltd., 2010).
- Nicoletta Vallorani, Paolo Caponi, Emanuele Monegato (eds.), Letterature e culture inglese. Temi e (con)testi dal XIX secolo a oggi, Pearson 2023.
- A selection of critical readings will be uploaded to Ariel.
Assessment methods and Criteria
Attending students will be allowed to sit midterm tests and to submit tasks that can be considered as part of the final exam. Such activities will especially encourage and promote team-work and collaborative learning. Further instructions on the midterm texts and optional tasks will be given during the course.
The final exam is oral and consists in a critical discussion of the texts and materials included in the syllabus and dealt with in the lectures.
Non-attending students are invited to get in touch with the teacher to make an appointment with adequate notice.
L-LIN/10 - ENGLISH LITERATURE - University credits: 6
Lessons: 40 hours
Professor: Pasolini Anna
Professor(s)
Reception:
Tuesday 14:00-16:00
Room 4018