Film Production and Media Industries
A.Y. 2025/2026
Learning objectives
Undefined
Expected learning outcomes
Undefined
Lesson period: Second semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course cannot be attended as a single course. Please check our list of single courses to find the ones available for enrolment.
Course syllabus and organization
Single session
Responsible
Lesson period
Second semester
Course syllabus
The first part of the course provides an introduction to the problems, methodologies, and objects of investigation in the field of media industry studies. The second part applies the perspective of media industry studies to film production and distribution in Italy and Europe during the second half of the 20th century. Particular attention is given to the relationship between the film industry and the state, and the role of film policy.
Prerequisites for admission
· B2 level of English or higher
· A basic knowledge of the history of European Cinema
· A basic knowledge of the history of European Cinema
Teaching methods
The course topics will be covered using slides and audio-visual materials, which will be analysed during the lectures. Students who decide not to attend the lectures will follow the non-attending syllabus.
Teaching Resources
Required readings for all students:
Part A)
· The following sections from Paul McDonald (ed.), The Routledge Companion to Media Industries, Abingdon, Routledge 2022:
- Media, industries, research: Problematizing the field
- Part I Perspectives: Conceptual and critical directions
- Part II Interventions: Rethinking the field
(The book is available online via the university library catalogue: https://unimi.primo.exlibrisgroup.com/discovery/fulldisplay?context=L&vid=39UMI_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma991018130172806031)
Part B)
· Francesco Di Chiara (ed.), A Comparative Approach to the History of State Aid for Film, Palgrave 2025.
Additional readings for non-attending students:
· Marina Nicoli, The Rise and Fall of the Italian Film Industry, Routledge 2017
Non-mandatory readings:
· Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall (eds.), European Film and Television Co-production. Policy and Practice, Palgrave, 2018
· Giorgio Avezzù, Francesco Di Chiara, Paolo Noto (eds.), For a Multipolar History of the Film Industries: Centre-Periphery Relations in the Cold War Years, Cinéma & Cie, n. 45, 2025.
· Marco Cucco, Francesco Di Chiara, Introduzione, in Schermi. Storie E Culture Del Cinema E Dei Media in Italia, 3(5), 7-14. https://doi.org/10.13130/2532-2486/12196
· Angus Finney The International Film Business. A Market Guide Beyond Hollywood, Routledge, 2022.
· Francesco Di Chiara, Paolo Noto, Realism across borders. The role of state institutions in making Italian neo-realist film transnational, in Dirk Göttsche, Rosa Mucignat and Robert Weninger (eds.), Landscapes of Realism. Rethinking literary realism in comparative perspectives. Volume I: Mapping realism, John Benjamins Publishing Company, 2021.
· Damien Pollard, Edward Bowen (eds.), Film Exhibition. The Italian Context, Legenda, 2024.
Part A)
· The following sections from Paul McDonald (ed.), The Routledge Companion to Media Industries, Abingdon, Routledge 2022:
- Media, industries, research: Problematizing the field
- Part I Perspectives: Conceptual and critical directions
- Part II Interventions: Rethinking the field
(The book is available online via the university library catalogue: https://unimi.primo.exlibrisgroup.com/discovery/fulldisplay?context=L&vid=39UMI_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma991018130172806031)
Part B)
· Francesco Di Chiara (ed.), A Comparative Approach to the History of State Aid for Film, Palgrave 2025.
Additional readings for non-attending students:
· Marina Nicoli, The Rise and Fall of the Italian Film Industry, Routledge 2017
Non-mandatory readings:
· Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall (eds.), European Film and Television Co-production. Policy and Practice, Palgrave, 2018
· Giorgio Avezzù, Francesco Di Chiara, Paolo Noto (eds.), For a Multipolar History of the Film Industries: Centre-Periphery Relations in the Cold War Years, Cinéma & Cie, n. 45, 2025.
· Marco Cucco, Francesco Di Chiara, Introduzione, in Schermi. Storie E Culture Del Cinema E Dei Media in Italia, 3(5), 7-14. https://doi.org/10.13130/2532-2486/12196
· Angus Finney The International Film Business. A Market Guide Beyond Hollywood, Routledge, 2022.
· Francesco Di Chiara, Paolo Noto, Realism across borders. The role of state institutions in making Italian neo-realist film transnational, in Dirk Göttsche, Rosa Mucignat and Robert Weninger (eds.), Landscapes of Realism. Rethinking literary realism in comparative perspectives. Volume I: Mapping realism, John Benjamins Publishing Company, 2021.
· Damien Pollard, Edward Bowen (eds.), Film Exhibition. The Italian Context, Legenda, 2024.
Assessment methods and Criteria
The exam consists of an oral interview on the topics of the program and, for attending students, also on those addressed during the lessons in the classroom. The exam intends to verify in particular the critical and logical-argumentative abilities of the student.
L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION - University credits: 6
Lessons: 40 hours
Professor:
Di Chiara Francesco
Professor(s)